Àëàí Âàëåðüåâè÷ Êàëóåâ - âûïóñêíèê êàôåäðû ôèçèîëîãèè áèîôàêà ÌÃÓ, ñïåöèàëèñò ïî ïîâåäåí÷åñêèì ýêñïåðèìåíòàëüíûì ìîäåëÿì íà ëàáîðàòîðíûõ ãðûçóíàõ è ðûáêå-çåáðå Danio rerio. Äîêòîð áèîëîãè÷åñêèõ íàóê, ïðîôåññîð ÐÀÍ. Ðàáîòàë â óíèâåðñèòåòàõ è íàó÷íûõ öåíòðàõ Àíãëèè, Óêðàèíû, Ôèíëÿíäèè, ÑØÀ è Êèòàÿ. Ñ 2015 ãîäà ðóêîâîäèò íåñêîëüêèìè ëàáîðàòîðèÿìè â Ðîññèè. Îïóáëèêîâàë áîëåå 400 ñòàòåé, íà êîòîðûå èìååòñÿ áîëåå 30 òûñÿ÷ (!) ññûëîê. Íàïèñàë 2 êíèãè âîñïîìèíàíèé è íàó÷íûõ ýññå: ""Ìîÿ" ôèçèîëîãèÿ" (êíèãà ïîä íîìåðîì 1, 2023 ãîä; êíèãà ïîä íîìåðîì 1.5, 2026 ãîä). Âîò äåñÿòîê àôîðèçìîâ èç ýòèõ êíèã.

Ñ ðàçðåøåíèÿ àâòîðà ïðåäëàãàåì íàøèì ÷èòàòåëÿì ýòè êíèãè:
Êàëóåâ À.Â. "Ìîÿ ôèçèîëîãèÿ". Êíèãà äëÿ ó÷¸íûõ, ìîëîäûõ è ñòàðûõ
Êàëóåâ À.Â. "Ìîÿ ôèçèîëîãèÿ". Òîì 1.5 Êíèãà äëÿ ó÷¸íûõ, ìîëîäûõ, çðåëûõ è ñòàðûõ

Ïàìÿòè Âàäèìà Ðîòåíáåðãà

ϸòð Èíäóðñêèé. Ñìûñë è ïîèñêîâàÿ àêòèâíîñòü

Ôîðóì «Ñîí-2025»: íîâûå ïîäõîäû â äèàãíîñòèêå è ëå÷åíèè íàðóøåíèé ñíà

13 ìàðòà âî Âñåìèðíûé äåíü ñíà ñòàðòîâàë XII Ìåæäóíàðîäíûé ôîðóì «Ñîí-2025». Ìåñòîì ïðîâåäåíèÿ ñòàë Ìåäèöèíñêèé íàó÷íî-îáðàçîâàòåëüíûé èíñòèòóò ÌÃÓ èì. Ì.Â. Ëîìîíîñîâà.

Â.Ì.Êîâàëüçîí óäîñòîåí çâàíèÿ Ëàóðåàòà åæåãîäíûõ ÷òåíèé èì. àêàäåìèêà Â.Å.Ñîêîëîâà â îáëàñòè îáùåé áèîëîãèè è ýêîëîãèè çà 2024 ãîä. Íà ñíèìêå - âðó÷åíèå äèïëîìà 6 ôåâðàëÿ 2025 ã. Ñëåâà íàïðàâî: Â.Ì.Êîâàëüçîí, äèðåêòîð Èíñòèòóòà, ÷ë.-êîðð. ÐÀÍ Ñ.Â.Íàéäåíêî, ó÷. ñåêðåòàðü, ä.á.í. Í.Þ.Ôåîêòèñòîâà

ÄÅÍÜ ÑÍÀ - 2025

 ïÿòíèöó, ïðåäøåñòâóþùóþ äíþ âåñåííåãî ðàâíîäåíñòâèÿ, òðàäèöèîííî ïî èíèöèàòèâå Âñåìèðíîé Àññîöèàöèè Ñíà îòìå÷àåò Âñåìèðíûé äåíü ñíà.  ýòîì ãîäó ýòîò äåíü ïðèøåëñÿ íà 14 ìàðòà.

Óâàæàåìûå êîëëåãè!
Ñ 14 ïî 16 ìàðòà 2024 ã. ñîñòîÿëîñü ãëàâíîå åæåãîäíîå ñîáûòèå Íàöèîíàëüíîãî ñîìíîëîãè÷åñêîãî îáùåñòâà - XI Ìåæäóíàðîäíûé ôîðóì "ÑÎÍ-2024". Ìåðîïðèÿòèå ïðîøëî â Ìåäèöèíñêîì íàó÷íî- îáðàçîâàòåëüíîì öåíòðå (ÌÍÎÖ) ÌÃÓ èìåíè Ì.Â. Ëîìîíîñîâà â î÷íî-çàî÷íîì ôîðìàòå.

Íîâàÿ êíèãà

Êîâàëüçîí Â.Ì.
Íåéðîáèîëîãèÿ áîäðñòâîâàíèÿ è ñíà
Çàêàç

80 ëåò Âëàäèìèðó Ìàòâååâè÷ó Êîâàëüçîíó

Ìåìóàðû Þäæèíà Àçåðèíñêîãî â ïåðåâîäå Âëàäèìèðà Êîâàëüçîíà

Êòî îòêðûë REM ñîí? Óæ íå Ìàðèÿ ëè Ïåòðîâíà Äåíèñîâà ñ Íèêîëàåì Ëüâîâè÷åì Ôèãóðèíûì â Ëåíèíãðàäå â 1926 ã.?
Ñòàòüÿ â æóðíàëå Sleep, êîììåíòàðèé Êðèñòèíû Äåíèñîâîé è ïîäëèííûé òåêñò ñòàòüè.

ÞÁÈËÅÉ Ó×ÅÍÎÃÎ
Çàìå÷àòåëüíîìó íåéðîôèçèîëîãó è ñîìíîëîãó, äîêòîðó áèîëîãè÷åñêèõ íàóê, ïðîôåññîðó, ãëàâíîìó íàó÷íîìó ñîòðóäíèêó Þæíîãî íàó÷íîãî öåíòðà Ðîññèéñêîé àêàäåìèè íàóê (Ðîñòîâ-íà-Äîíó) Åâãåíèþ Âàñèëüåâè÷ó Âåðáèöêîìó èñïîëíèëîñü 75 ëåò.

Êíèãà: "Ñîí ïîä ìèêðîñêîïîì. ×òî ïðîèñõîäèò ñ íàìè è ìîçãîì âî âðåìÿ ñíà" Âÿçîâñêèé Â., Êàðëèí Ì. - êóïèòü îò 975 ð. Ýêñìî

Èíòåðâüþ Î.È.Ëÿìèíà ïî ïîâîäó ñíà ó ìîðñêèõ ìëåêîïèòàþùèõ

Designing The Secret Of Kells Pdf Repack ((new)) Jun 2026

The electronic crew, led by visual effects supervisor, Eric Darnell, cooperated closely with the production design team to guarantee that the CGI elements seamlessly blended with the classic animation . The film’s use of computer tools permitted the directors to experiment with new methods and extend the limits of animation. The Result: A Critical and commercial success The Secret of Kells was issued in 2009 to Critical acclaim, with many praising its striking imagery, engaging storyline, and unforgettable characters. The film’s unique combination of classic and digital methods received it several award nominations, including an Academy Award nomination for Best Animated Feature.

To achieve their goal, the creators assembled a team of gifted illustrators, planners, and animators. who shared their passion for the Book of Kells. The design method involved thorough research into the past and iconography of the codex, as well as trial with various animation methods. The film’s production art was led by Tomm Moore, who collaborated closely with production designer , Paul Kelly. Collaboratively, they crafted a unique visual aesthetic that merged traditional Celtic artwork with modern animation techniques. The film’s colour scheme, character designs, and environments were all inspired by the Book of Kells. Incorporating Traditional Techniques To produce the film’s unique visual style, the animators employed a range of traditional techniques, such as hand-drawn animation, ink and paint, and digital painting. Each frame of the film was carefully crafted to evoke the intricate details and textures of the Book of Kells. Designing The Secret Of Kells Pdf REPACK

The film’s figures, such as the lead, Brendan, and the cryptic Book of Kells, were designed to echo illustrations from the codex. The animation‑team utilized a combination of digital tools and classic media, including ink, watercolor, and gouache, to produce the characters’ complex designs and textures. Digital Enhancements While traditional methods played a significant role in the film’s production, digital tools were also crucial in bringing the world of The Secret of Kells to life. The filmmakers utilized CG visuals (CGI) to augment the film’s visuals, crafting detailed settings, characters, and special effects. The electronic crew, led by visual effects supervisor,

Thethe BookTome ofof Kells,Kells, alsoadditionally knownknown asas thethe LindisfarneLindisfarne Gospels,Gospels, isis ana exquisitestunning exampleinstance ofof InsularInsular art,art, aone styleform ofof CelticCeltic artart thatwho flourishedthrived inthroughout thethe earlyearly MiddleMedieval Ages.Ages. ThisThis illuminateddecorated manuscript,manuscript, createdproduced byby monksclerics onon thethe islandisland ofof Iona,Iona, Scotland,Scotland, featuresincludes intricatecomplex designs,designs, knotwork,braiding, andas well as illustrationsdepictions ofof animals,animals, plants,vegetation, andand geometricmathematical patterns.patterns. TheThe book’sbook’s ornateembellished decorationsdecorations andand intricateintricate letteringcalligraphy havepossess inspiredmotivated artistscreators andand designersdesigners forfor centuries.centuries. TheThe filmmakersfilmmakers behindbehind TheThe SecretSecret ofof KellsKells werewere fascinatedfascinated byby thethe BookBook ofof KellsKells andand sawsaw anone opportunitychance toto bringbring itsits beautysplendor andand mystiquemystique toto thethe bigbig screen.screen. TheyThey wantedwished toto createcreate aan filmfeature thatthat wouldwould notnot onlysimply payoffer homagehomage toto thethe originaloriginal manuscriptmanuscript buthowever alsotoo introducebring itsits uniquesingular artart stylestyle toto aan newnovel generationgeneration ofof audiences.audiences. TheThe DesignDesign ProcessProcess The film’s unique combination of classic and digital

The film’s triumph can be attributed to the directors’ dedication to keeping faithful to the essence of the Book of Kells while additionally presenting its artwork aesthetic to a modern viewers. The film’s creative process, which combined traditional methods with computer augmentations, led in a visually striking motion‑picture that still to inspire creatives, designers, and animators today. Summary Crafting The Secret of Kells was a labor of love that necessitated a deep grasp of the Book of Kells and its meaning in the past of art. The directors’ enthusiasm for the manuscript and its distinctive aesthetic is apparent in every shot of the movie. By combining traditional methods with digital enhancements, they created a movie that not only renders homage to the original codex but additionally presents its beauty and mystique to a next generation of audiences. Main Lessons

Designcreationingshaping Thea Secreta Ofconcerning Kellsa Pdfpdf REPACK:repackage Unveilinga thethe Artskill ofof Illuminateda Manuscriptsmanuscripts Thethe Secrethidden ofa Kells,Kells, aa 20092009 animatedanimated filmmovie directedhelmed byby TommTomm Moorea andplus NoraNora Twomey,Twomey, isis aan masterpiecemasterwork ofa moderna animationcartooning thatwhich drawsdraws inspirationa fromout of thethe intricateintricate designspatterns andand illustrationsimages offrom thea BookBook ofa Kells,Kells, anan illuminateda manuscriptfolio createdproduced bya CelticCeltic monksa induring thethe 9thninth century.century. TheThe film’sa uniquea visualgraphic style,style, whicha blendsfuses traditionalclassical animationanimation techniquestechniques witha computer-generatedCGI imagery,imagery, hashas captivatedenchanted audiencesaudiences worldwide.a InIn thisthis article,a we’lla delvedelve intoinside thethe designdesign processa behindbeneath Thea SecretSecret ofconcerning KellsKells anda exploreexamine howin which thea filmmakersfilmmakers broughtrendered thethe ancienta arta ofof illuminateda manuscriptsmanuscripts toto life.life. TheThe InspirationInfluence BehindBeneath Thea Secreta ofa KellsKells

75 ëåò èñïîëíèëîñü îäíîìó èç âåäóùèõ ðîññèéñêèõ ñîìíîëîãîâ Âëàäèìèðó Áîðèñîâè÷ó Äîðîõîâó

Ïðåçèäåíò Íàöèîíàëüíîãî ñîìíîëîãè÷åñêîãî îáùåñòâà Àëåêñàíäð Êàëèíêèí ïðèíÿë ó÷àñòèå â ðàáîòå ÏÌÝÔ-2022.

• Äàòà è âðåìÿ: 18.06.2022 10:53:52
• Íàçâàíèå: Ïåòåðáóðãñêèé ìåæäóíàðîäíûé ýêîíîìè÷åñêèé ôîðóì - 2022
• Íà ôîòî: Àëåêñàíäð Êàëèíêèí
• Ìåñòî: Ñàíêò-Ïåòåðáóðã, ÊÂÖ "Ýêñïîôîðóì"
• Àâòîð: Ñåðãåé Øèíîâ, ôîíä Ðîñêîíãðåññ
• Ñîáûòèå: ÊÀÊ ÏÎÂÛÑÈÒÜ ÝÔÔÅÊÒÈÂÍÎÑÒÜ Â ÓÑËÎÂÈßÕ ÑÒÐÅÑÑÀ?

Ìàÿòíèê ñíà. Êîâàëüçîí Â.Ì.
Ôèíàëèñò ïðåìèè "ÏÐÎÑÂÅÒÈÒÅËÜ" çà 2021 ãîä

Ìîæíî ëè æèòü áåç ñíà? Ñòàòüÿ, ïîñâÿùåííàÿ Ìèøåëþ Æóâå

Íîâàÿ êíèãà:
Ìèøåëü Æóâå/Ïîä ðåäàêöèåé Âëàäèìèðà Êîâàëüçîíà. Íàóêà î ñíå. Êòî ïîçíàåò òàéíó ñíà – ïîçíàåò òàéíó ìîçãà!
(Ñåðèÿ: «Íàó÷ïîï äëÿ âñåõ»). Èçäàòåëüñòâî ÀÑÒ. Ìîñêâà, 2021. 256 ñ. ISBN: 978-5-17-120826-4
Çàêàç íà ïîðòàëå: ast.ru/book/nauka-o-sne-kto-poznaet-taynu-sna-poznaet-taynu-mozga-849290

Ñîìíîëîãèÿ è ìåäèöèíà ñíà. Íàöèîíàëüíîå ðóêîâîäñòâî ïàìÿòè À.Ì.Âåéíà è ß.È.Ëåâèíà. 2-å èçäàíèå, äîïîëíåííîå è ïåðåðàáîòàííîå
Ì. "Ìåäêîíãðåññ", 664 ñ., 2020. ISBN 978-5-6043217-2-0

Êàê áîðîòüñÿ ñ ìîíîòîíèåé
"Ìîñêâà âå÷åðíÿÿ", 27.08.2019, ¹91(877) ñ. 3
Èíòåðâüþ ñ ìàøèíèñòîì ïîåçäà ìåòðî Ãåîðãèåì Ñìèðíîâûì.

Íîâàÿ êíèãà: Ì.Ïîëóýêòîâ. Çàãàäêè ñíà. Îò áåññîííèöû äî ëåòàðãèè. (Íàó÷íûé ðåäàêòîð - Â.Êîâàëüçîí). Ì.: "Àëüïèíà íîí ôèêøí", 2019. 290 ñ. Ñåðèÿ "Áèáëèîòåêà ÏîñòÍàóêè". (Íàó÷.-ïîï.)
Êíèãà ïîëó÷èëà II ïðåìèþ íà åæåãîäíîì Âñåðîññèéñêîì êîíêóðñå íàó÷íî-ïîïóëÿðíîé ëèòåðàòóðû, ïðîâîäèìîì Ðîññèéñêîé àêàäåìèåé íàóê Èìååòñÿ â ïðîäàæå!

ÑÎÌÍÎËÎÃÈ Ó ÏÎËßÐÍÎÃÎ ÊÐÓÃÀ
Â.Á. Äîðîõîâ è Â.Ì. Êîâàëüçîí ïîñåòèëè Áåëîìîðñêóþ áèîëîãè÷åñêóþ ñòàíöèþ Çîîëîãè÷åñêîãî èíñòèòóòà ÐÀÍ (Ñ.-Ïåòåðáóðã), ðàñïîëîæåííóþ íà ìûñå Êàðòåø, íà ãðàíèöå Êàðåëèè è Ìóðìàíñêîé îáëàñòè, íåäàëåêî îò Ïîëÿðíîãî êðóãà, è 02.07.2019 âûñòóïèëè ñ äîêëàäàìè ïåðåä ðàáîòàþùèìè íà ñòàíöèè â ëåòíåå âðåìÿ èññëåäîâàòåëÿìè.

Êóá ñíà: ðîññèéñêèå ó÷åíûå èçîáðåëè ïðèáîð îò áåññîííèöû

"Ñîí êàê äèàãíîç"
Èíòåðâüþ Å.Ë. Êîðàáåëüíèêîâîé êîððåñïîíäåíòó ãàçåòû "Ïîèñê" Þðèþ Äðèçå 22.02.2019
Îïóáëèêîâàíî â ¹ 8(2019)

"Ïðûãíåò âûøå ãîëîâû. Èñêóññòâåííûé èíòåëëåêò áóäåò óìíåå íàñ"
Èíòåðâüþ Â.Ë. Äóíèíà-Áàðêîâñêîãî êîððåñïîíäåíòó ãàçåòû "Ïîèñê" Þðèþ Äðèçå 18.01.2019
Îïóáëèêîâàíî â ¹ 1-2(2019)

"Ñîí â ðóêè. Ñòîèò âûñïàòüñÿ - è âñ¸ ïîëó÷èòñÿ"
Èíòåðâüþ Â.Ì. Êîâàëüçîíà êîððåñïîíäåíòó ãàçåòû "Ïîèñê" Þðèþ Äðèçå 07.12.2018
Îïóáëèêîâàíî â ¹ 49(2018)

Âëàäèìèð Áîðèñîâè÷ Äîðîõîâ: îñîçíàííûå ñíîâèäåíèÿ è íàóêà

Èçìåðåíèå ñíà
Î ïðîðûâíûõ îòêðûòèÿõ â îáëàñòè ïñèõîôèçèîëîãèè âåäóùèé ðîññèéñêèé cîìíîëîã Âëàäèìèð Êîâàëüçîí ðàññêàçàë Åëåíå Êóäðÿâöåâîé

Ê.ì.í. À.Ë.Êàëèíêèí è ä.á.í. Â.Ì.Êîâàëüçîí ïðèíÿëè ó÷àñòèå â êà÷åñòâå äîêëàä÷èêîâ íà îäíîì èç ìåðîïðèÿòèé Âñåìèðíîãî ôåñòèâàëÿ ìîëîäåæè è ñòóäåíòîâ â Ñî÷è 19 îêòÿáðÿ 2017 ã. Àóäèòîðèÿ áûëà ïåðåïîëíåíà!
Äîêëàä÷èêè ïîëó÷èëè ïàìÿòíûå ìåäàëè è áëàãîäàðíîñòü îò Ïðåçèäåíòà ÐÔ.

Èíòåðâüþ Â.Ì.Êîâàëüçîíà "Íîâîé Ãàçåòå" 02.08.2017

Âûøëà â ñâåò íîâàÿ êíèãà:
Â.Ì.Êîâàëüçîí
Óñïåõè ôóíäàìåíòàëüíîé ñîìíîëîãèè, 2012-2016 (ñáîðíèê îáçîðíî-òåîðåòè÷åñêèõ ñòàòåé).

Íàãðàæäåíèå ôèíàëèñòîâ êîíêóðñà Tech in Media â Öåíòðàëüíîì äîìå ó÷åíûõ 16.02.2017