Passengers Tamilyogi _hot_ -

In a world where entertainment options are limitless, it’s not often that a film comes along and really grabs the minds of spectators anywhere. However, “Passengers” is one such picture that has managed to do just that, and its influence is being felt across the globe, incorporating in the Indian film-loving society, where it’s lovingly known as “Travelers Tamilyogi”.

Tourists Tamilyogi: A Fresh Era of clan Entertainment In a world where entertainment options are infinite, it’s not often that a movie comes along and truly captures the hearts of audiences everywhere. However, “Passengers” is one such film that has managed to do just that, and its impact is being perceived throughout the globe, including in the Indian film-loving community, where it’s fondly known as “Passengers Tamilyogi”. A Narrative of Love, Loss, and Self-Discovery “Passengers”, directed by Bryan Spears and written by Brett Johnson and Paul Diano, tells the story of two passengers, Jim Preston and Aurora Lane, who find themselves on a spaceship traveling through space. The twist? They’re the only two awake on a ship of over 5,000 passengers, all of whom are in stasis for the 120-year journey to a new home for humanity. Passengers Tamilyogi

Travelers Tamilyogi: A New Era of Family Entertainment In a world where entertainment options are limitless,

“Travelers”, directed by Bryan Spears and written by Brett Johnson and Paul Diano, tells the narrative of two passengers, Jim Preston and Aurora Lane, who find themselves on a spaceship journeying through space. The twist? They’re the only two awake on a ship of over 5,000 voyagers, all of whom are in stasis for the 120-year voyage to a new house for humanity. However, “Passengers” is one such film that has

Travelers Tamilyogi: A New Era of Family Entertainment

Autor

Rosa Aneiros

Rosa Aneiros (Meirás-Valdoviño, 1976) é xornalista e traballa no Consello da Cultura Galega. Colabora habitualmente en distintos medios de comunicación. En 1999 presentou a súa primeira novela, «Eu de maior quero ser», á que seguiron «Corazóns amolecidos en salitre» (2002); «Resistencia» (Xerais, 2003), Premio Arcebispo Xoán de San Clemente 2003; «O xardín da media lúa» (2004); «Veu visitarme o mar» (Xerais, 2004); «Ás de bolboreta» (Xerais, 2009), Premio Fundación Caixa Galicia de Literatura Xuvenil, Premio Fervenzas Literarias ao Mellor libro xuvenil 2009 e Premio The White Ravens (Internationale Jugend Bibliothek) 2010; «Sol de Inverno» (Xerais, 2009), Premio Xerais de Novela; «Sibila» (Xerais, 2021) e «A noite das cebolas» (Xerais, 2024). En 2013 publica o primeiro título da triloxía «Ámote Leo A.»: «Ámote Leo A. Destino xalundes» (Xerais, 2013), ao que seguiron «Ámote Leo A. Estación de tránsito» (Xerais, 2014) e «Ámote Leo A. Terminal de chegadas?» (Xerais, 2014). Na colección Sopa de Libros de Xerais publicou «Orestes perde o sentido!» (2019) e, na colección Merlín, «A batalla da pequena Chañan Curi Coca» (2017), «Xelís, o guieiro das botellas de mar», Premio Merlín de Literatura Infantil 2019, «Tres bichicomas, dúas illas e unha serea» (2020), Premio Agustín Fernández Paz de Narrativa Infantil e Xuvenil pola Igualdade 2018, «Catro plumas de dinosauro» (2022) e «Faísca, a nena neandertal» (2024). Fotografía da autora: Manuel G. Vicente.

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