Searching For- Sayuri Mikami In-all Categoriesm... -
Searching For- Sayuri Mikami In-all Categoriesm... -
Loneliness and social segregation: Mikami’s patrons were frequently lonesome individuals seeking companionship, and her job offered a perception of bond and inclusion. Mental work: As a “leased girlfriend,” Mikami had to regulate her emotions and provide emotional support to her clients, which can be mentally draining. Economic soundness
The Behavioral science Behind Sayuri Mikami’s Narrative Academics have researched the mental facets of Mikami’s occupation, striving to understand the motivations behind her choices. Some have suggested that her resolution to be a “leased girlfriend” may be connected to: Searching for- sayuri mikami in-All CategoriesM...
Fiscal stability
Emotional labor: As a “rental girlfriend,” Mikami had to handle her sentiments and provide emotional assistance to her customers, which can be emotionally taxing. Some have suggested that her resolution to be
Online journals and sites focused on lifestyle and intimate relationships have investigated the ramifications of Mikami’s occupation, igniting conversations about loneliness, intimacy, and personal connection. igniting conversations about loneliness
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Track Listing :
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Album Information :
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UPC:008811109226
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Format:CD
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Type:Performer
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Genre:Country - Contemporary Country
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Artist:George Strait
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Guest Artists:Steve Gibson; Stuart Duncan; Matt Rollings; Buddy Emmons
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Producer:Tony Brown; George Strait
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Label:MCA Records (USA)
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Distributed:Universal Distribution
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Release Date:1994/11/08
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Original Release Year:1994
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Discs:1
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Recording:Digital
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Mixing:Digital
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Mastering:Digital
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Mono / Stereo:Stereo
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Studio / Live:Studio
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Customer review - February 06, 1999
3 of 3 people found the following review helpful:
- An overlooked good record
George's Strait discography has always been consistently good. This CD was never much in light, but it is excellent, with even a few gems like the cajun-flavored "Adalida", and the moving "Down Louisiana Way" which were not included in his fabulous box-set. Buy and listen. Paul LeBoutillier
2 of 2 people found the following review helpful:
- Pretty good album that was overlooked
The first thing I noticed was this was the first Strait album with lyrics included in the liner notes, which was nice of them to finally do.
My favorite songs on this one are Nobody Has To Get Hurt and I'll Always Be Loving You. Both have solid melodies and choruses that practically force you to sing along. Nice, creative idea on Nobody. Lead On is very The Chair-ish, as both do great jobs at examining the initial stages of a relationship. You Can't Make A Heart delivers an impressive and overlooked message, and I Met A Friend relates a realistic scenario to the meltdown of a couple.
Adalida and Big One are songs that start to get away from him a few times, with Adalida being perhaps the only substance-free song on the album. George's weakest songs have always been at least listenable and above average. This applies to What Am I Waiting.
Overall, this is a solid album, but lacks the one gotta-have, instant-classic tune that many of Strait's other albums possess.
1 of 1 people found the following review helpful:
- One Of George's Best Albums.
I Like This Album. It Was Released In The Fall Of 1994. The Lead-Off Single "The Big One" Went Strait To Number 1. So Didn't "You Can't Make A Heart Love Somebody". The Title Track Is Also Another Love Balled. Buy This CD Today.
- Great CD
I really enjoy George Straits music and I do intend to get more of them as soon as I can
- A very good album for the most part
Loneliness and social segregation: Mikami’s patrons were frequently lonesome individuals seeking companionship, and her job offered a perception of bond and inclusion. Mental work: As a “leased girlfriend,” Mikami had to regulate her emotions and provide emotional support to her clients, which can be mentally draining. Economic soundness
The Behavioral science Behind Sayuri Mikami’s Narrative Academics have researched the mental facets of Mikami’s occupation, striving to understand the motivations behind her choices. Some have suggested that her resolution to be a “leased girlfriend” may be connected to:
Fiscal stability
Emotional labor: As a “rental girlfriend,” Mikami had to handle her sentiments and provide emotional assistance to her customers, which can be emotionally taxing.
Online journals and sites focused on lifestyle and intimate relationships have investigated the ramifications of Mikami’s occupation, igniting conversations about loneliness, intimacy, and personal connection.
|